Despite the broad popular support for Occupy Wall Street, its art world incarnations have been more hotly contested. Chief among the critiques of Occupy Museums, Occupy 38, and Occupy Internet has been a lack of clearly defined goals; while some of us want to tear down the walls of MoMA, others like our de Koonings well enough to prefer change over demolition. Across the spectrum, artists and critics call out for a single purpose that is objectively worth our energy and attention. One such opportunity has arisen in the dispute between Sotheby’s and the union representing its art-handling staff. The line between the good guys and the bad guys couldn’t be clearer if Sotheby’s PR staff had goatees and East German accents and one of the Teamsters looked like Bruce Willis.
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