Hard-To-Reach
Art and music from a reliable baal koreh.
Tuesday, April 15, 2014
How to Fix a Flat: with Lance Armstrong
Me: I'd rather not get into it.
My dad: They let him into your office?!
Me: Yes.
My dad: Lance Armstrong?
Me: Yes. He was here.
My dad: How can they do that?! He lied to everybody! He destroyed people who spoke out against him! What was he even doing there?
Me: You know, Dad, I'm not...disputing, but...sigh...he's a complicated guy, and he gave a lot of money to charity, helped a lot of people, and it's not as if he hasn't paid for what he did.
My dad: They let him into your office?!
Me: I'm just telling you that he was here. I saw him, but we didn't make eye contact. If it was Roger Clemens, I'd have gotten out from behind my desk and spit in his face, but...I'd really rather not get into it.
My dad: What was the video even about?
Me: I don't know. We're not supposed to talk about it until it goes online.
via Outside Online
Saturday, October 12, 2013
Thursday, August 8, 2013
Los Angeles council to vote on lifting ban against mural painting
The Mural Conservancy of Los Angeles began restoration work last week on John Wehrle's Hollywood Freeway mural Galileo, Jupiter, Apollo, 1983 |
Saving Badass Dogs From Idiot Humans
Photo © Patricia Jones |
Thursday, July 18, 2013
Dave Van Ronk
I was doing some background research on the Stonewall Uprising, where a commemorative plaque was supposed to be installed this week (the ceremony has been postponed), and I came across Dave Van Ronk, a blues guitarist who was among the few people who could confirm having been at the Stonewall on the night of June 28, 1969. Now I can't stop listening to his music.
Sunday, July 7, 2013
Sunday, June 16, 2013
Monday, May 20, 2013
Calvin Trillin Is in a Picture With John Lewis. I Guess We Should Listen to Him.
In the early sixties, in the heyday of group journalism, I spent a year as one of the writers in Time Edit. I’d previously spent a year as a reporter (or “correspondent,” as the masthead had it) in the Atlanta bureau, covering the civil rights struggle in the South, and six months in the New York bureau—a misfit operation in the group-journalism scheme of things, staffed by two or three reporters who sometimes compared themselves to Transit Authority policemen assigned to the tunnels. For half of that year in Time Edit, I was what we called a floater—a utility infielder who was brought in to a section when, say, the person who wrote Sport was home with the flu, or when one of the World writers was on vacation. Since writers were listed on the masthead as associate or assistant editors, I’ve assumed ever since that I could justifiably refer to myself, on occasions when credentials are called out to add weight to a point of view, as the former Art editor of Time (four or five weeks, at various times) or even the former Medicine editor of Time (two consecutive weeks, although I must admit that the section was killed both weeks).
Read the full story on NewYorker.com
Read the full story on NewYorker.com
Subscribe to:
Posts (Atom)